| 1975–78 | B.A. Joint Honours Degree Geography and Art and the Environment, University of Lancaster. |
| 1979–83 | Intaglio Printmaking with Marc Balakjian & Life Drawing with John Epstein at Morley College. |
| 1983–84 | Postgraduate Fine Art Diploma, Cyprus College of Art with Dennis Creffield, Terry Frost, Clyde Hopkins. |
| 1985–87 | Postgraduate Diploma, Central St. Martins College of Art with Norman Ackroyd. |
| 1991–92 | Bronze Foundry Practice, London Metropolitan University. |
| 1983–84 | Peter Minet Fine Art Scholarship. |
| 1989 | Eaton Trust Artists’ Award. |
| 1989–94 | Oppenheim-John Downes Memorial Trust Award. |
| 1992 | Worshipful Company of Founders Award for bronze casting at Central St Martins. |
| 1997 | Lottery Participation Award for the First Fine Art Iron Pour UK. |
| 1999–01 | Making Art Work — a Visual Artists’ Development Scheme funded by Arts Council England, Suffolk County Council and the EU. |
| 2001 | EU Award for research and development at the University of Cambridge. |
| 2002 | Leverhulme Award for Earth Sciences residency at the University of Cambridge. |
| 2004 | Critical Space Award from Suffolk County Council. |
| 2005 | Oppenheim-John Downes Memorial Trust Award (a second award). |
| 2009 | Arts Council Award for Darwin200 to work at the UNESCO Burgess Shale fossil beds, BC, Canada. |
| 2022 | Covid Continuity Fund for Culture Award, Suffolk County Council for Book of Hours I & II at The Art Station, Saxmundham. |
| 1983–84 | Painting awards to be resident for a year in Cyprus. |
| 1989–94 | Painting awards to be resident for one full year, plus return trips working in the field in Andalucia. |
| 1999–06 | Artist in Residence in the Department of Earth Sciences, University of Cambridge. A collaborative research project with Earth scientists exploring the evolution of life, land and the planet through their palaeontology collections. |
| 2009 | UNESCO Burgess Shale Artist in Residence. An international collaborative project to mark the centenary of discovering globally significant fossil beds in the Canadian Rockies, in collaboration with the Burgess Shale Geoscience Foundation, Field, BC. |
| 2010–11 | Happisburgh Beach, Norfolk. Archaeological project with the British Museum, Natural History Museum & Queen Mary College specialists in the field exploring earliest human occupation of Eastern England (Ancient Human Occupation of Britain – AHOB). |
| 2010–13 | British Museum collections and Franks House museum store – drawing and research of earliest museum Ice Age artefacts with Prehistory Keeper Jill Cook. |
| 2013–17 | Into the Holloway. Sequence project and a collaborative film made with Cesca Eaton. |
| 2017–19 | Conversations in the Landscape. Land project with reference to the UK, Australia and New Zealand. Conversations with Kings. Project referencing the Kings of Judah collection at the Musée de Cluny, Paris. |
| 2020–22 | Book of Hours I & II. Collaboration with The Art Station and filmmaker Emily Richardson. |
| 2025 | Artist in Residence, Aldeburgh Poetry. |
| 1990 | Spain – A Journey. South Hill Park Arts Centre, Bracknell, Berks. |
| 1992 | Spanish Works 1989–92. London Guildhall University, London E1. |
| 1992 | Paintings and Drawings 1982–92. Barkes and Barkes Gallery, London NW1. |
| 1995 | Paintings, Drawings and Sculpture. Atrium, Cork Street, London W1. |
| 1995 | Recent Paintings and Drawings. Halesworth Art Gallery, Suffolk. |
| 1999 | Fragments. An exhibition focusing on ancient life, shown at BUPA Headquarters, BUPA House, London W1. |
| 2002–03 | Beginnings. The Sedgwick Museum, University of Cambridge. A site-specific commissioned exhibition shown together with palaeontology and geology collections. |
| 2005 | The Sedgwick Collection. BioCity, Nottingham. |
| 2006 | The Sedgwick Tapes. Cambridge Science Festival Exhibition, New Hall, University of Cambridge. |
| 2009 | Field Notes from Yoho. The Cut, Halesworth / Darwin Festival Exhibition, Suffolk. |
| 2022 | Book of Hours I & II. Original Books, Film & Microsite, plus Into the Holloway, shown concurrently at The Art Station and Saxmundham Library, Saxmundham. |
| 2024 | Pages from my Garden. The Watch House, Orford. |
| 2025 | The Book and Beyond. Aldeburgh Poetry Artist in Residence, Courtyard Gallery, Aldeburgh (with John Christie). |
The London Group, South London Gallery & Royal College of Art 1981. The Smith Biennial, Stirling Art Gallery and Museum 1982, Kykkos Gallery, Kato Paphos, Cyprus 1984. Gloria Gallery & Laiki Yitonia Gallery, Nicosia, Cyprus 1984. 75th Anniversary Celebration. St David’s Hall, Cardiff 1988. The Cleveland International Drawing Biennial 1989. Printmakers Open, Royal West of England Academy, Bristol. Printmakers at The Royal Festival Hall, London. The Spirit in the Mass, Towner Art Gallery and Museum, Eastbourne 1991. Whitechapel Open, Whitechapel Art Gallery 1992. Moros y Cristianos. Bedarte Gallery, Almeria, Spain 1994. British Artists in Spain, The Rye Art Gallery, East Sussex 1995. Territory Phoenix Gallery, Brighton, East Sussex 1996. Seven Artists Celebrating the 25th Anniversary Exhibition at Bury St. Edmunds Art Gallery, Suffolk 1997. Drawing for All, Gainsborough’s House, Sudbury, Suffolk 1997. Peter Pears Gallery, Aldeburgh, Suffolk. Over the Border, Christchurch Mansions, Ipswich & The Minories, Colchester 2004. Fabric of the Land, University of Aberdeen 2006. Flags, The Art Station, Saxmundham 2022. First Light, Lowestoft 2021, 2023, 24, 25. Summer Contemporary, Britten Pears Arts 2024, 25.
Influence of Cyprus on British Artists. Glyn Hughes. Cyprus Weekly 27.04 – 03.05.84.
Toys in the Attic. The Entertainer – Andalusia / Almeria, Spain. 28.09 – 04.10.89.
Forward to Basics. Christina Koning. The Times. 26.03.96
Territory. Julian Bell. Modern Painters. Spring 1996. Volume 9 No.1.
25 Years at the Market Cross. Bury St. Edmunds Art Gallery Publication 1997.
Quiet Mastery of a Still Life with Fossils. Andrew Brown. The Guardian. 04.12.99.
Artist inspired by dawn of life. Chris Elliott. Cambridge Evening News. Centre spread Pgs.16 & 17. 07.01.03.
Drawing Breath. Owain Vaughan. Bluesci Science Journal. Easter 2006.