Education:

1975 – 78    B.A. Joint Honours Degree Geography and Art and the Environment, University of Lancaster.

1979 – 83    Intaglio Printmaking with Marc Balakjian & Life Drawing with John Epstein at Morley College.

1983 – 84    Postgraduate Fine Art Diploma. Cyprus College of Art.

1985 – 87    Postgraduate Diploma. Central St. Martins College of Art.

1991 – 92    Bronze Foundry Practice. London Metropolitan University.

 

Awards:

1983 – 84    Peter Minet Fine Art Scholarship.

1989       Eaton Trust Artists’ Award.

1989 – 94    Oppenheim-John Downes Memorial Trust Award.

1992       Worshipful Company of Founders award for bronze casting at Central St. Martins.

1997       Lottery participation award for the First Fine Art Iron Pour U.K.

1999 – 01    Making Art Work, a Visual Artists’ Development Scheme funded by Arts Council, England, Suffolk County Council and the E.U.

2001       E.U. Award for research and development at the University of Cambridge.

2002       Leverhulme Award for Earth Sciences residency at the University of Cambridge

2004       Critical Space Award from Suffolk County Council.

2005       Oppenheim-John Downes Memorial Trust Award (a second award).

2009       Arts Council Award for Darwin200 to work at the UNESCO Burgess Shale fossil beds, BC, Canada.

2022       Covid Continuity Fund for Culture Award, Suffolk County Council for Book of Hours I & II at The Art Station, Saxmundham.

Residencies / Collaborations / Projects:

1983 – 84    Painting awards to be resident for a year in Cyprus

1989 – 94    Painting awards to be resident for one full year, plus return trips working in the field in Andalucia.

1999 – 06    Artist in Residence in the Department of Earth Sciences, University of Cambridge. A collaborative research project with Earth scientists exploring the
       evolution of life, land and the planet through their palaeontology collections.

2009       UNESCO Burgess Shale Artist in Residence. An international collaborative project to mark the centenary of discovering globally significant fossil beds in
       the Canadian Rockies in collaboration with the Burgess Shale Geoscience Foundation,Field, BC.

2010 – 11    Happisburgh beach, Norfolk. Archaeological project with British Museum, Natural History Museum & Queen Mary College specialists in the field
       exploring earliest human occupation of Eastern England re: Ancient Human Occupation of Britain (AHOB).

2010 – 13    British Museum collections and Franks House museum store re: drawing and research of earliest museum Ice Age artefacts with Prehistory Keeper
       Jill Cook.

2013 – 17    Into the Holloway. Sequence project and film.

2017 – 19    Conversations in the Landscape. Land project with reference to UK, Australia, New Zealand. Conversations with Kings. Project with reference to the
       Kings of Judah collection at Musee de Cluny, Paris.

2020 – 22    Book of Hours I & II. Collaboration with The Art Station and Film maker Emily Richardson.

Solo Exhibitions:

1990                     Spain – A Journey. South Hill Park Arts Centre, Bracknell, Berks.

1992                     Spanish Works 1989-92. London Guildhall University. London E1.

1992                     Paintings and Drawings 1982-92, Barkes and Barkes Gallery, London NW1.

1995                     Paintings, Drawings and Sculpture. Atrium, Cork St, London W1.

1995                     Recent Paintings and Drawings. Halesworth Art Gallery, Suffolk.

1999                     Fragments. An exhibition focusing on ancient life, and shown at BUPA Headquarters, BUPA House, London W1.

2002 – 3             Beginnings. The Sedgwick Museum, University of Cambridge. A site specific commissioned exhibition shown together with palaeontology and                                                               geology collections

2005                    The Sedgwick Collection, BioCity, Nottingham.

2006                    The Sedgwick Tapes. Cambridge Science Festival Exhibition. New Hall, University of Cambridge.

2009                    Field Notes from Yoho. The Cut. Halesworth / Darwin Festival Exhibition, Suffolk.

2022    Book of Hours I & II. Original Books, Film & Microsite,
       plus Into the Holloway, shown concurrently at The Art Station, Saxmundham and Saxmundham Library.

Selected Mixed Exhibitions include:

The London Group, South London Gallery & Royal College of Art, Whitechapel Open, Whitechapel Art Gallery. The Smith Biennial, Stirling Art Gallery and Museum. The Cleveland International Drawing Biennial. Kykkos Gallery, Paphos and Laiki Yitonia Gallery, Nicosia, Cyprus. Printmakers at The Royal Festival Hall, London. Printmakers Open, Royal West of England Academy, Bristol and at The Royal Festival Hall, London. 75th Anniversary Celebration. St David’s Hall, Cardiff. Moros y Cristianos. Bedarte Gallery, Almeria, Spain. The Spirit in the Mass, Towner Art Gallery and Museum, Eastbourne. British Artists in Spain. The Rye Art Gallery, East Sussex. Territory, Phoenix Gallery, Brighton, East Sussex. Seven Artists to Celebrate the 25th Anniversary Exhibition. Bury St. Edmunds Art Gallery, Suffolk. Drawing for All, Gainsborough’s House, Sudbury, Suffolk. Peter Pears Gallery. Aldeburgh, Suffolk. Over the Border Christchurch Mansions, Ipswich/Minories, Colchester. Fabric of the Land, University of Aberdeen.

Publications, Press Reviews, Journals etc.

Influence of Cyprus on British Artists. Glyn Hughes. Cyprus Weekly 27.04 – 03.05.84.

Toys in the Attic. The Entertainer – Andalusia / Almeria, Spain. 28.09 – 04.10.89.

Forward to Basics. Christina Koning. The Times. 26.03.96

Territory. Julian Bell. Modern Painters. Spring 1996. Volume 9 No.1.

25 Years at the Market Cross. Bury St. Edmunds Art Gallery Publication 1997.

Quiet Mastery of a Still Life with Fossils. Andrew Brown. The Guardian. 04.12.99.

Artist inspired by dawn of life. Chris Elliott. Cambridge Evening News. Centre spread Pgs.16 & 17. 07.01.03.

Drawing Breath. Owain Vaughan. Bluesci Science Journal. Easter 2006.